Weekend Reviews

posted by Rob on April 19, 2008 08:51 PM

ConfusedDoctor.jpg

I wouldn't be at all surprised if the uppermost thought in your mind these days is this: what does Rob think about the most recent couple of episodes of Doctor Who? And you wouldn't be the only one. I've been wondering too. And the tentative good news for the Who production team is that I don't think I'm displeased. Though I'm not delighted either. [spoilers ahead - though no words of great wisdom]

The Pompeii episode was a big improvement on the flimsy, hectic, vacuous cute-fat-creatures one, but still not very solid to my mind. Thousands suffocate screaming; they can't be saved. That sounds like fun. And who knew you could survive falling out of the sky if you were in an escape capsule made of rock? Or that volcanic eruptions can cause rifts which ripple back in time to make all fake soothsayers become real soothsayers who can then see forward in time. It all seemed rather complex and random, and more than a bit depressing. Though I liked the Welsh jokes.

And I wouldn't say there's much actual atmosphere or rapport yet - which makes it a bit difficult to feel carried along. I imagine it's because the Doctor and Donna are rather an odd couple who couldn't really plausibly have gelled yet, though they force the odd mad grin in each other's direction. Which just brings home to me what amazing chemistry Billie Piper used to achieve when she was around. Pure gold. Plus, you cared what happened to her character. Donna is still too new (and residually annoying), whereas with Martha I was more concerned for the actress than the character. (She seemed so nice; how would she react when she realised how many people thought she was terrible? It didn't seem fair. Though I shouldn't have worried about her career; she seems to be back next week. I do my best not to watch the previews, but I don't have a good feeling about Martha's return. I just hope she doesn't keep doing that confused frown and looking frightened to be on TV.)

But I am pleased and amused by what they've done to the character of Donna. Suddenly she's the sort of woman who rarely screeches, thinks deeply, concerns herself with the wellbeing of others and is reasonably knowledgeable on matters such as Roman history. The three defining points of her character originally were belligerence, ignorance and self-absorption. The accent and the actress remain, but nothing else of the old Donna survives, I'm pleased to say. I can probably live with this Donna (though showing me glimpses of Rose doesn't help). But it is sad to see how interesting and eloquent Catherine Tate can be when she's not acting. Couldn't she be loud and a little cartoony in real life, but sensitive and charming on film? Isn't that the more usual way with actresses?

One thing that's bugging me, though, is the mystery of the disappearing bees. It's been mentioned twice, so clearly they're going somewhere with it. But what confuses me is that in real life there is a problem with bees too. They're mysteriously dying in large numbers. And since they pollinate most Western food crops, if they go extinct we're in deep trouble. Whatever Doctor Who 'reveals' at the end of this season is not, I can say with some confidence, going to be the real secret of their waning numbers. So how is that going to work? That would be like having the Doctor fix our climate problems. Except that when the show is over, they're still here. So I'm expecting some confusing lameness on the bee front.

spacer

Comments: 4


Ok, call me a science nerd, but you do realize the belief that the disappearing bee population will lead to worldwide famine is a myth. A lot of pollinators are bumblebees, wasps, flies etc, and most food crops are wind pollinated, especially all the staple food - the cereals - such as wheat, corn & rice.


Naomi, really? I've seen the claims about bees being vital for commercial agriculture repeated so many times. And yet what you say has always made more sense to me. (Perhaps it's time for me check my sources.)


From the moment they found the shot Ood in the (fake) snow, the plot options were drastically limited. Because this wasn't Torchwood (where all aliens, always, die) we knew the Ood would be in trouble, then get saved. The big payoff was a brain in a shed - a brain, by the way, that screamed in pain at some Ood liquid but happily scoffed a full grown human. The plot was, to put it mildly, thin.

Then the inevitable Bits that Didn't Work.
* The singing that was meant to be so moving? Had bad piano as its instrumental accompaniment.
* The semi circle of Ood bidding farewell to the Doctor looked like one of those Welsh male voice choir videos.
* The running around.
* Captain Darling as a baddie.

In summary, frown.


Heck, I am stung to a response. Pompeii (pace - get it? - the Welsh jokes) was a disaster in more ways than one (but then scary aliens always did work better than the 'back in time' scenario). The good news is that Donna is shaping up well and shedding the 'am I bovvered' image. The theme of the Doctor as a tortured soul (sees the cruelty of history but can't change it)is obviously the thing for this series. Okay, a bit heavy handed but at least a new dimension. And what was wrong with Captian Darling as a baddie? Good acting, I say.
This from someone who confesses to never having watched Torchwood (oops!) but fancies D. Tennant like mad. (And yeh, Rose was probably unbeatable).
Back to my old ladies'cocoa now.

spacer

Post a comment

We love hearing from our readers, but please stay relevant and pleasant. The comments are for responding to the specific blog post above. If you have any other queries, please contact Snowbooks via email. Off-topic or offensive comments will be removed without notice.

To screen out automated spam, please answer the following very easy question:

What colour is nice, new snow?

(please use all lower-case characters for your answer; no capitals)


Back to the blog »