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Resurrection Engines in the FT

posted on by Emma

There's a cracking review of Resurrection Engines in the FT this week!

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RESURRECTION ENGINES


edited by Scott Harrison


Snowbooks £7.99 534 pages


Resurrection Engines sees an assortment of authors re-envision literary classics through the prism of steampunk (the subgenre of SF which celebrates Victorian invention and technology in a knowing, retro-futuristic style). Robots abound. Dr Jekyll’s monstrous alter ego is a sentient military exoskeleton, Peter Pan creates his own scrap-metal Lost Boys, and Silas Marner, in a moving tale by Alison Littlewood, adopts an artificial Eppie. Another common steampunk trope, the airship, features in Alan K. Baker’s high-concept Verne/Wells mash-up ‘A Journey To The Centre Of The Moon’ and in Jonathan Green’s swashbuckling sky-borne take on Moby-Dick, ‘There Leviathan’. The contributors who stray furthest from the brief bring back the richest rewards. Juliet E. McKenna’s feminist rewrite of She is cunning and funny, and Philip Palmer adds aliens to The Woman In White to great effect. Adam Roberts’s delirious ‘The Crime Of The Ancient Mariner’ replaces Coleridge’s sea voyage with time travel, and works a treat. A foreword from the editor, contextualising the stories, would have been welcome. Nonetheless, this anthology is both varied and consistently entertaining.


– James Lovegrove


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    Vince Cosmos

    posted on by Emma

    Oh yes. VINCE COSMOS - GLAM ROCK DETECTIVE comes out from illustrious Snowbooks (and others!) author Paul Magrs on Feb 1st. The website is www.vincecosmos.com to where I urge you to hot-foot it. It's a new audio drama starring JULIAN RHIND-TUTT (Green Wing, The Hour),written by PAUL MAGRS (The Brenda and Effie Mysteries, Doctor Who) and it's available on CD and download from BAFFLEGAB.

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    Paul's last Brenda and Effie book "Brenda and Effie Forever" came out from Snowbooks last year and it's had a hugely warm reception from Paul's hugely warm fan base. You can buy it here.


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    Alias Hook

    posted on by Emma

    Now, I don't like to brag. But. Next year we have a book coming out which is going to knock your socks off. It's called Alias Hook and it's by one Lisa Jensen who blogs here. She's just taken part in this swanky Next Big Thing blog whatsit that's doing the rounds (read her contribution here.) 


    Alias Hook is really special. I've popped the Prelude below the cut: have a read and tell me it's not the most compelling thing ever. And if you want to read more, I've got a proof copy to give away. Email me and I'll put all the names in a folder: the first name my son can read wins the proof. To maximise the chances of winning, change your name by deed poll to contain only three characters in advance of entering.

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    PRELUDE


    Him Or Me


    Every child knows how the story ends. The wicked pirate captain is flung overboard, caught in the jaws of the monster crocodile, which drags him down to a watery grave. Who could guess that below the water, the great beast would spew me out with a belch and a wink of its horned, livid eye? It was not yet my time to die, not then nor any other time. It’s my fate to be trapped here forever in a nightmare of childhood fancy with that infernal, eternal boy. 


    No one knows what came next, the part you never read about in the stories. I clawed through water bloodied by the corpses of my crew driven overboard to make a meal for the sharks, flailed for the hull of my ship before the sharks caught up to me.


    I saw it all by moonrise as I hooked my way up the chains to the deck. One of my men lay asprawl on the hatch coaming, dead eyes staring at the moon, curled fingers frozen over his ruptured belly. Another had dragged himself a few paces toward the rail before he expired, leaving a smear of fresh blood on the deck that could never be stained red enough to disguise it. Half a dozen others lay about in shadowy heaps, limbs twisted, faces ghastly, silent as waxworks. Everything stank of blood and decay. One man was draped face down over the foredeck rail, arrows sprouting from his back. The redskins were teaching the boys archery, as if they needed any more advantage over us in battle. None of the dead were boys.


    Those who’d gone over the side screamed no more. The ship’s bell, rung when the battle commenced, tolled no more. Even the monstrous ticking had subsided. My ship was as silent as the tomb she had become. The boys had gone larking off again, but not in my ship; all of the fairies’ black arts could not raise my Jolie Rouge out of her moldering berth in the bay. Solemn drumbeats from the island told me the Indians were collecting their dead from our skirmish in the wood, but none were left to mourn my men but me. 


    I started for the nearest body, to drag it to the ship’s boat, but as I passed the deckhouse, something groaned within. The deckhouse. That’s where he’d hidden to lure us into his trap. 


    I shoved open the door, peered into the reeking gloom. Jukes I recognized by the sprawl of his tattoos in the ghostly moonlight. The Italian lay nearby, face frozen in an eternal scream. I crept in across sticky planks toward a soft grumble of pain, a sudden seizure of breath. My fingers touched still-living flesh, and Jukes groaned again. There was a new hieroglyph on his naked chest, thrust in with less art than the rest, and still leaking red. I knelt in the puddle, worked my hook arm round his back and propped him up. Heavy as a corpse already, yet his head lolled back on my arm and his dull eyes opened to look at me.


    One. The boy had left me only one.


    “Well, Bill.” I could scarcely steady my voice.


    “Sorry, Cap’n,” he lisped through the blood in his mouth. “He come at me in the dark.”


    “Don’t talk,” I cautioned, yet I was desperate for the comfort of his voice. We’d sailed together since New Providence; his pictographic skin was a living gallery of our exploits from the Indies to the Gold Coast. He was the closest thing I’d ever had to a friend in the pirate trade. “Save your strength.” 


    But it was already too late. We both knew it. The boy hadn’t even done it proper; life was escaping in an agonizing drip, not a clean burst. 


    Jukes dragged another tortured breath out of his ruined lungs. “Thought you was done for,” he wheezed.


    “Come, now, you know me better than that.” I clenched my teeth in assumed heartiness. “No mere boy is a match for me.” 


    A furtive smile glimmered briefly amid the blue and black dots and calligraphic swirls on his face. I could see what even so slight a movement cost him in misery. There was only one way to help him now, could I but steel myself to do it. 


    “The women are warm in Hell, eh, Cap’n?” he prompted me.


    “Save me a place at the Devil’s mess,” I answered by rote, summoning every ounce of my resolve.


    Red bubbled between his teeth. “Aye, aye—” 


    His eyes bulged for an instant, whites agleam in the shadows, then the lids drooped in relief. “Thank’ee, Cap’n,” wafted out on his last breath, as I extracted my knife from between his ribs. 


    Gone, all of them gone now. Slaughtered one by one, like a game. It’s all a game to the boys.


    I stretched Jukes out beside the twisted Italian, sat back on my heels, forced my brain to think on practical matters. Two or three trips in the gig it would take to see them all properly consigned to deep water. The eerie, animal keening of the loreleis singing to the moon rose up across the water, cold and tormenting. I was the last human left alive in the Bay of Neverland. 

    The Neverland, they call it, the infant paradise, the puerile Eden where grown-ups dare not tread. They are wise to fear it. But all children visit in their dreams. He finds them by their longing, stray boys for his tribe and girls to tell him stories. 


    They are not always English children, although he is partial to London. They have erected a statue to him there. Fancy, a public statue of Pan, the boy tyrant in his motley of leaves, like a king or a hero. While Hook is reviled, the evil pirate, the villain. There is no statue to me. 


    I’ve heard all the stories. I know the world thinks me not only a simpering fop but a great coward, so affrighted by the crocodile I would empty my bowels at the first sinister tick of its clock. But it’s the ticking itself I can’t bear, the tolling of the minutes, the very seconds, that I am forced to spend in the Neverland for all eternity. Elsewhere, time is passing in the normal way, but not here. Not for me and the boy. 


    “It’s Hook or me this time,” the boy jeered as the massacre began. But it’s never him. And it’s never me. Since then, he has defeated me innumerable times, but never quite to the death. He wills it so, and his will rules all. How often have I felt my skin pierced, imagined in my wounded delirium that Death has relented and come for me at last? Yet every time, my blood stops leaking, my flesh knits. Sooner or later, my eyes open again to yet another bleak new day, with nothing to show for my pains but another scar on the wreckage of my body.


    Is it any wonder I so often tried to kill him? Would not his death break the enchantment of this awful place and release us both? But I can never best him. He flies. He has youth and innocence on his side, and the heartlessness that comes with them. I have only heartlessness, and it is never, ever enough.

    Outside the deckhouse, the night had gone dark. I crept out again, still drenched in Bill Jukes’ blood, and saw that the moon itself, so full and white an hour before, had turned red, as if she too were awash in blood. A red eclipse, as mariners say, but never before had I seen the shadow of the old world fall across the Neverland moon. Perhaps it was only a trick of my fevered imagination, or some monstrous reflection from the deck of the Rouge, yet it glared down on me like a bloodshot eye, catching me out in all my crimes.


    Once, I thought I could never have enough of blood. It was all that could satisfy me, for so long. But it wearies me now, the tyranny of blood-lust, the serpent that feeds on itself. The game that never changes. The game that never ends.


    “How long can you stay angry at the world?” she asked me once. Why didn’t I listen?

     


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    "This was an absolutely outstanding book"

    posted on by Emma

    We've just got in a glowing review of Jill Rowan's The Legacy. Read it here, or let me share with you some snippets (click on Read More.) 



    The Legacy really is a corker and I promise you'll get a lot out of it. Buy.

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    "This book is an extremely delightful insight"


    "This book was absolutely delightful. I could not stop thinking about the characters during the day when I was away from the book. I could totally see the mill that she had inherited and could picture both scenes from the past and the present in incredibly colourful detail from the way that Jill Rowan described them so brilliantly."

    "This was an absolutely outstanding book about the love of a lifetime, true romance and time travel. " 
     
    The reviewer sums it up as "A time-travelling page-turning wonder."


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    Bridport Prize shortlister!

    posted on by Emma

    Congratulations to Darren Guest, author of the gorgeous Dark Heart. His short story,  The Pig Farmer’s Burden, has been shortlisted out of a list of over 6000 entries. Fingers crossed for the win! 

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    Here's the fellah: http://www.amazon.co.uk/Darren-J.-Guest/e/B0054IJAT0



    1 comment

    Well done, Darren! Good luck!

    by Wayne on

    Birmingham Independent Book Fair 2012

    posted on by Emma

    Hey hey. Tomorrow I'll be hanging out in the Council House in Birmingham, which is home for an afternoon to the Birmingham Independent Book Fair. I don't actually live in Birmingham, but I'm not that far away so the kind folks have let me finagle a pass for Snowbooks to take part. So if you're in the area, come along and cross my palm with silver in exchange for a book or two ... 

    Giant poster below the cut, should you fancy a look. 

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    3 comments

    Hope it went well, Emma!

    by Wayne on

    It did indeed! People paid cash folding money for a bunch of books. And I met James Brogden, author of The Narrows, for the first time!

    by Emma on

    A total coincidence - and a good one. Nice to have met you!

    by James on

    Wayne hits the road

    posted on by Emma

    Please to be checking out this radio interview, in which our plucky horror scribe Wayne Simmons takes on the establishment and tells them a thing or two about zombies and the like. 

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    If you don't recall, Wayne is going on a signing tour of various Waterstones from now (first date this Saturday at Hereford) to December. He'll be accompanied by fellow horror hack and buddy, David Moody. Here's his website with more info: http://waynesimmons.org/blog/?p=1371



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    New website!

    posted on by Emma

    Hello, [target_audience]! We're delighted to announce the launch of [publisher_name]'s new website. We have harnessed the power of technology to make it very easy for us to update [blog_name] so you can look forward to more news, insights and [data_type] here.[ 1] 



    Yes, in my ongoing bid to make computers do all my work for me[ 2], I don't even have to write my own blog posts anymore. This entry is generated entirely from my MacBook Pro, attached via firewire to a colander placed on my head. All I have to do is think of the word "publishing", and the computer translates my sub-conscious thoughts into excellent blog-material. And nothing can possibly go wrong with it, as you can see by the tailored, high-quality writing you are currently absorbing.


    Srsly, we have been furiously busy writing this website thing. I do hope you like it. Tell me you like it. Do you like it? Do you like the font? Don't I sound technical and futuristic, writing to you in this font? It's like a postcard from the space station. Or Mars. [ 3 ]Hey, you can use the exciting new comments section to tell me you like it. Tell me you like it! [ 4]


    Read more...

    So we've written this website from scratch in Ruby on Rails. Ruby's a programming language, and Rails is a web development framework. I started learning Rails in early 2011 and have gone from n00b to pretty competent programmer in that time. I wish I could persuade you that being a serious programmer is necessary in modern publishing. In fact, let me try, and let me target my comments in particular at the people who keep emailing me at the moment for work experience. There seem to be a lot of you, so hopefully this rant will help a few people.  


    Right, hands up. Who wants to be an editor when they grow up? Anyone want to run a small press? Production manager? Sales director? Digital marketing manager? Author, even? 


    OK, so you all want to be editors. (I've never had a conversation with someone aspiring to get into publishing who didn't want to be an editor). So, say you get your dream editorial job. I have a slightly heavy follow-up question. In your mind, jump to the end of your career, and consider your legacy. What do you want to leave behind? You might be happy to muddle along. But you're a thinking fellow, right? It's likely that you might have hopes that you can contribute to the sum total of human knowledge in your chosen field of work. Publishing, as you know, is competitive to get into and to thrive in. If you want to do something notable, something cool, what do you need?


    My brilliant advice, like all brilliant advice, comes in two parts.

    Part the first. You don’t actually need competence, or a gift, or talent. What you need most, I have decided, is tenacity. You can do pretty much anything if you have enough tenacity. You can learn a programming language. You can read three books a week. You can practice your art - whether that’s writing, editing, designing or professional development. So. Get tenacious. Stick at things. Stop moaning. Keep trying.  

    Brilliant advice, part two, is about craftsmanship. Pretty much anything is worth doing, and worthy of leaving behind when you're gone, if it's done well. Don't believe the people who tell you that perfectionism is a bad thing. Whether it’s designing a beautiful and functional font, or a lovely bit of code, or crafting a perfectly-turned phrase, more often that not perfectionism is necessary. 

    How do you find the time to aspire to perfection? To do things that make a difference? To lift your head above the torrent of admin, drudge, sameness, endless emails, endless phone calls? And how the hell do you find time and perfection when you’d just like to get a job, first of all, and then keep it?



    The problem -- and the solution -- is that every single area of publishing has changed. Every single aspect of publishing now relies on technology to do a good job. Challenge me. Can you think of an area of publishing which doesn't rely on technology?

    Here's the big secret. If you are technically competent, you can automate the dull stuff so you can spend time on the cool stuff. You can use technology to create things of staggering beauty and wonder that you will be proud to leave behind. And you’ll be indispensable! People love people who can fix things, who know how things work, who understand all that computer stuff.



    Rob & I have said this sort of thing for years, to whoever will listen, and no-one does. So not only will you be competent, proud of yourself and useful: you'll be rare. 


    I fall well short of perfection the whole time, obviously. In fact I can imagine the guffaws of laughter from anyone who knows me, reading this. I am laughing, myself. But I try to get as close to perfect as I can in my projects, and it's one of the reasons I've fallen in love with programming. A program won't compile (or run if it's an interpreted language such as Ruby) if it's anything less than perfect -- down to the last semi-colon. I like that challenge, and I like the quiet, single-minded focus that programming requires. 

    Start with the Rails Tutorial  [ 5] and see where it takes you. And let me know how you get on. If more of us in publishing turn our hand to acquiring the necessary skills for our adaption and survival, it would be nice to stick together, swap notes, that kind of thing. 

    In the meantime, I hope you enjoy looking round the new Snowbooks.com. 

    Footnotes

    1. [1] The tags in this paragraph are an amusing joke. They are not indicative of a problem with my codez.
    2. [2] A work in progress since 2002.
    3. [3] Obviously I am just putting in lots of footnotes to show you that I can. And that they glow orange.
    4. [4] With home-made captcha! With a literary theme! You'll love it! Try it out!
    5. [5] http://www.railstutorial.org


    4 comments

    Hey look! A comment!

    by Emma on

    Very snazzy!

    by Jill Rowan on

    I don't see anything glowing in orange?!

    by Heather Roberts on

    ooops, I see, have to "hover" on the number to make it glow... got it!

    by Heather Roberts on

    Small Press Expo at Forbidden Planet

    posted on

    small_press_banner_small_1.jpg.size-230.jpg

    I am totally going to pinch the gorgeous artwork for the poster heralding this very exciting day we're taking part in. June 30th, Forbidden Planet, Big London, 1-2.30pm. Be there or, well, be not there. I'll be there, blinking and confused under the day star.

    I've attempted to herd some of our authors to attend as well, and I'll confirm who's coming once I know. There'll be me, for sure, so come along if you fancy a natter. Bring offerings of coffee, though. Black, no sugar, ta. If you're a Snowbooks author reading this thinking hey, what about me, can I come, then a) check your email b) email me, c) yes.

    Can't wait.


    4 comments

    Sadly, can't make this one. But hope y'all have a great time, Snowfriends!:D

    by Wayne Simmons on

    by on

    by on

    Sorry I couldn't make it - but absolutely definitely if there's another next year.

    by James on

    Dark Heart is one year old!

    posted on

    FantasyBytes.jpg

    How time flies. Dark Heart, the superb horror fantasy by Darren Guest, is a year old this week. Here's a cracking review that's just come in, by way of celebration. Buy it here.


    4 comments

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